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WelcomeHi, thanks for stopping by! Have a cup of tea :)
Here you can find some of the work I've done, from short stories about hedgehogs gone rogue to films about food, lots of food... About me - I'm a Eurasian writer based in London, though with ever-restless feet. If you like, you can find out a little bit more here or see what I've been up to over here. |
Selected Works
Films
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Mechanical Souls, 2018
A dark comedy thriller Directed by Gaëlle Mourre Starring Janet Hsieh, George Young, Patty Pei-Yu Lee, Sharon Landon, Lang Tsu-Yun Produced by Digital Rise & DV Group & Serendipity Films Original music by Jasmin K. Rodgman Selected for Google's 2018 Jump Start Program Inspired by Reflections in a Mechanical Eye Concept, Co-creator, Co-writer World premiere at Kaohsiung Film Festival (Kaohsiung, Taiwan) |
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The Feast, 2017
A dystopian fairytale Directed by Gaëlle Mourre Starring Katie Leung, Joan Walker, Jonathon Kemp Produced by Fat Red Bird Original music by Jasmin K. Rodgman Author, Co-writer, Associate Producer Screenings and Q&As include: - London Short Film Festival (UK) - Prince Charles Cinema for Underwire Festival (London, UK) - Schnit Worldwide Film Festival (Bern, Buenos Aires, Cairo, Cape Town, Hong Kong, Moscow, San Jose, Bangkok) - Lund International Fantastic Film Festival (Lund, Sweden) - Laemmle NoHo 7 for LA Shorts Fest (LA, USA) - The Ditchley Foundation's 'Festival of Ideas', co-hosted by Oxford University's Balliol College, on the theme of 'Future Human: Future Communities' (Ditchley Park, UK) - Prince Charles Cinema for Euro Shorts International Film Festival (London, UK) - Ciné Lumière at the French Cultural Institute (London, UK) "Based on a dystopian fairy tale by L. P. Lee, the story showcases the talents of Harry Potter star, Katie Leung, who... finds herself in that all-too-familiar Faustian bargain of the powerless, where to achieve the agency over her own destiny not afforded her by birthright, class, gender, colour, sexuality etc., she has to risk losing something of her sense of self, agency or dignity. The Feast literally makes an eye-popping, mouth-watering meal of this metaphor - it’s quite remarkable to watch" - Michelle Olley, Phace Mag "...a sumptuous mystery of the gluttonous kind, with an appetising premise and a rich aesthetic. Not only this, the performances are simply delicious... The nature of the story touches upon numerous enduring themes of innocence, greed, ambition and more, coalescing into an immersive viewing experience that will leave you swirling" - Chris Olson, UK Film Review |
Journals
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The Little Hedgehog, Litro, 2018
Eurasian Makes Okonomiyaki, Firewords (Vol. 9), 2017 The White Fox, Popshot Magazine (Vol. 18), 2017 (reprint) The Jars, Popshot Magazine (Vol. 16), 2016 The Feast, The Fabulist, 2015 The Feast, The British Fantasy Society - Horizons (Vol. 1), 2015 The House of Locks, Rousing Reads, 2014 Call of the Cicadas, Litro, 2014 |
Books
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Hibakusha, Best New Horror (Vol. 27), ed. Stephen Jones, PS Publishing, 2017
Reflections in a Mechanical Eye, The Obsidian Poplar and Other Stories, ed. Euan Davidson, The Lightfall Literary Agency, 2014 |
Events
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Auntie Doris, Near-future Fictions (Vol. 3), Virtual Futures Salon, 2017
Truth and What Comes After, Near-future Fictions (Vol. 2), Virtual Futures Salon, 2017 The Virtual Futures Salons (the "Glastonbury of cyberculture" - The Guardian) were held at the Lights of Soho (London, UK). |
Podcasts
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The White Fox, PodCastle (#492), 2017
The House of Locks, Tales to Terrify (#263), 2017 Hibakusha, PodCastle (#452), 2017 |
Awards & Selections
Selected for Google's Jump Start Program, 2018
Winner (Short Screenplay), California Film Awards, 2017
Winner "Best Dark Comedy" (Short Screenplay), Hollywood Hills Screenplay Competition (HHSC), 2017
Winner "Best Technique" (Short Screenplay), The Monkey Bread Tree Film Awards, 2017
2nd Place (Short Screenplay), Los Angeles Independent Film Festival Awards (LAIFFA), 2017
3rd Place (Short Screenplay), Hollywood International Moving Pictures Film Festival (HIMPFF), 2017
Shortlisted for the TSS International Flash Fiction Prize, 2017
Shortlisted for the To Hull and Back prize for comedy, 2017
Nominated for the Pushcart Prize by the editors of The Fabulist, 2015
Winner (Short Screenplay), California Film Awards, 2017
Winner "Best Dark Comedy" (Short Screenplay), Hollywood Hills Screenplay Competition (HHSC), 2017
Winner "Best Technique" (Short Screenplay), The Monkey Bread Tree Film Awards, 2017
2nd Place (Short Screenplay), Los Angeles Independent Film Festival Awards (LAIFFA), 2017
3rd Place (Short Screenplay), Hollywood International Moving Pictures Film Festival (HIMPFF), 2017
Shortlisted for the TSS International Flash Fiction Prize, 2017
Shortlisted for the To Hull and Back prize for comedy, 2017
Nominated for the Pushcart Prize by the editors of The Fabulist, 2015
Interviews & Reviews
The Feast, feature by Michelle Olley, Phace Mag, 2018
The Feast, review by Chris Olson, UK Film Review, 2018
Lights, Camera, Food, culture feature, The Brixton Bugle (p.16), 2017
In Conversation With the Filmmakers Behind The Feast, interview by Katrina Russell, The Content Journal, 2017
The Feast, review by Chris Olson, UK Film Review, 2018
Lights, Camera, Food, culture feature, The Brixton Bugle (p.16), 2017
In Conversation With the Filmmakers Behind The Feast, interview by Katrina Russell, The Content Journal, 2017
Note on Illustrations
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Many thanks to these talented artists, who I've had the good fortune to work with: Annie Ridd ('The Man-root', 'Call of the Cicadas', 'The Feast', 'Hibakusha'), Isabel Albertos ('The Jars'), Rocky Kelley ('Reflections in a Mechanical Eye') and Vector That Fox ('The White Fox').
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"Conjures Gothic literature, fairytale and East Asian cultural heritage”
- KATRINA RUSSELL, THE CONTENT JOURNAL, UK
"There is something to be said for stories that leave images swimming in your psyche long after the last word has been read. Oxford-based writer L. P. Lee has that knack."